In the claustrophobic space of a airline seat, I opened a book and was transported to a panoramic world. Stag & fox, love & desire, tenderness & demand. The major general & the bandleader, the angel & the location, the neck & and the twang. It was an oddly-wonderful place for a first reading of Gabrielle Calvocoressi’s Rocket Fantastic, a collection that I will certainly return to for a much deeper investigation. But even on first read, I was immediately struck by four “practices” or “devices” (for lack of more intelligent terms):
The repetition of not only images and key words/terms, but repetition of exact lines in utterly new contexts. I have read many collections where images cycle, but I don’t recall any in recent memory that have used the same lines.This practice, which happens a few times in the book, worked for me like an echo, bouncing a voice or idea back to me in a way that was both familiar and disconcerting, like motifs in a symphony where the key has changed from major to minor.
The form-switching throughout the collection. Some poems are structured in “traditional” stanzas, some spread across the page with large and purposeful white space, and some are in prose blocks. Each form seems perfectly suited for its inhabitants and its purpose, choices that I want to learn from in terms of choosing the most organic forms for my own poems.
The symbol that Calvocoressi has chosen to use as a genderless pronoun for one of the inhabitants of the poems (the Bandleader), which I do not know how to recreate on my keyboard, along with the use of “whose” as a substitute for the possessive and object pronouns usually associated with gender. The author describes the symbol as “a confluence of genders in varying degrees […] simultaneously encompassing and fluctuating.” At first I thought the symbol would be troublesome as a reader, but instead it allowed me to experience the poems in my own way instead of just the speaker’s.
The choices of proper titles for some of the inhabitants of the poems – the Bandleader, the Major General, the Dowager. Using these titles rather than names allowed me to bring my own preconceptions and expectations about those words to the poems and then have them shattered, questioned, or twisted.
And these are just structural/craft matters that I want to explore! The content of the poems is also rich, textured & filled with the joy, pain, & longing of being human in a world that is at turns both beautiful and frightening. I usually know after a first read whether a book is one I will return to again and again. The answer here is definitely a resounding yes.
You can follow Gabrielle Calvocoressi on Twitter at @rocketfantastic.
Her wonderful interview with Rachel Zucker on Commonplace Podcast can be found here
Purchase Rocket Fantastic here
First Reads will hopefully be a regular feature here. I often write reviews for other venues which require multiple readings and copious notes, but I think that there is also merit in articulating first impressions as most of us don’t have the time to re-read books unless they speak to us in a way that calls us back.